Analysis and Commentary on Stanley Kunitz’s “Snakes of September” Poem

Analysis and Commentary on Stanley Kunitz’s “Snakes of September” Poem

 

When I first realized this poem was about snakes in a garden, my first assumption was that the theme would be around good vs. evil, as in The Snake in The Garden, of Biblical lore. 

 

While this does not appear to be that sort of snake and garden relationship, the use of words and sounds in this poem does seem to reinforce the human mind’s sometimes automatic defense mechanisms and stereotypes about snakes. For the record, I do NOT like snakes…ugh!

 

Words and phrases such as “rustling,” “whisper,” “a shadow,” “torpor of blood,” “slipped,” “nether world,” and “deceptive,” all evoke negative thoughts of snaky sneakery as they slither out of their green hallows to  slip once again into our world of order and gardened plots.

 

The poet refers at one points to the snake presence in “that spoiled …garden,” but juxtaposed to this garden, the snakes are welcome visitors (renters/squatters?) in his cultivated “green brocade.”

 

And, unlike the infamous snake of yore who, in some versions, hung down from the Tree of Knowledge of Good and Evil to tempt Eve, these more copacetic snakes are just hanging around on a “north-country spruce,” like a couple of upside-down dogs, just waiting to be petted.  The poet takes our base assumptions and turns them around. Instead of the Devil in snakeskin, we have Fido and Spot just chilling…literally, as the poet explains that the “torpor of blood,” that afflicts these cold-blooded critters makes them a bit logy as the heat of the day escapes into the twilight of the eve.

 

Part of my reading of the poet’s actual real-life relationship (and the torpor of the blood meaning), I got from an NPR article on Stanley Kunitz at https://www.npr.org/sections/krulwich/2013/09/05/218543796/wild-things-hanging-from-spruce-trees.  This was a great article that explained the history of the gardener’s relationship with his snake buddies. Reading that article really fleshed out the meaning of the poem for me, and also highlighted my original concept of the poet’s intentional use of snakes and gardens to turn the Genesis story on its head.  I still would never pet a snake though…yuck!

Like this  poetry review? We have more poetry reviews and commentaries for you!

Poetry Analysis-The Farmer-Allegory for a Veteran’s Pain

I see poem “The Farmer” as not just a poem about a man literally working the “barren earth,” but as an allegory for his post-war life, dealing with the trauma and perhaps the PTSD that hits many veterans.

After reading W.D. “Bill” Ehrhart’s poem “The Farmer”, the first time through, I looked him up on the internet.  He has written both poetry and prose, and a lot of his writing reflects his experiences in Vietnam, even the poems that, on the surface, do not seem to mention the war.

 

His website, https://wdehrhart.com/biography.html, has some of his prose and poetry available for visitors to peruse, and it makes for interesting reading.

 

One of those poems is “The Farmer,” and after reading it a couple times and from also looking at some of his other work, (and a review of poetry by him and other “Vietnam Vet Poets” at http://worldsofhurt.com/chapter-five/),  I started to see The Farmer as not just a poem about a man literally working the “barren earth,” but as an allegory for his post-war life, dealing with the trauma (and perhaps the PTSD-one of his other poems shows him reflecting on his anger and how it scares his wife and daughter) that hits many veterans.   As a man, depicted as a farmer, who every day has to go out into society, and work the fields of life, despite how he feels as he deals with the emptiness in his soul as he works through “the slow intransigent intensity of need.

 

Similarly, I see the line “I have sown my seed on soil guaranteed by poverty to fail” as what he sees as his failings as a husband and father (look at his poem The Simple Lives of Cats) likely due to his problems from his war experience.

 

The passage:

 

But I don’t complain—except

to passersby who ask me why

I work such barren earth.

They would not understand me

if I stooped to lift a rock

and hold it like a child, or laughed,

or told them it is their poverty

I labor to relieve. For them,

I complain. 






Can be seen as the experience of a veteran who encounters civilians in everyday life, who do not understand what he does and why.  I have read and heard that the comment people often tell to veterans and active duty military, “Thank you for your service,” is often looked at by many vets as a meaningless platitude by well-meaning people who can’t think of anything deeper to say. The line, “I work such barren earth.  They would not understand me,” I think speaks to this, as anyone who was not in Vietnam (or Kuwait, or Iraq, or Afghanistan) can truly understand what the veteran went though.



They would not understand me…[if] told them it is their poverty I labor to relieve,” is significant in this context, as the veteran knows those well-meaning people would not understand what is going on inside him and how he deals with the barrenness of his heart and soul, despite the fact that he served in their stead in the war(s), for it is their poverty he labors to relieve.  This goes back to the “Thank you for your service” line, where the unspoken piece of that phrase could very well be…”in our place, since you went to war and we did not.” Again, the non-veteran can never truly know what barren fields the veteran is plowing and working as Ehrhart phrases it “Each day I go into the fields” to try to heal the “barren earth” of his soul.

 

Poetry for the Current: Bombast (Trump and Kim)

Bombast

 

The Dictator: Threaten New York, threaten Guam,

Round face, red lapel pin and uniform jacket; hermit kingdom.

Insane? Maybe. Reckless? Yes.

 

The President: Threaten Fire, threaten Fury,

Orange face, red power tie and crossed arms; golf-course kingdom.

Insane? Maybe. Reckless? Yes.

 

The World:  Threatened by nuclear words,

Fear facing, red lines and cross(ed) (s)words; threatened kingdom.

Insanity breeds fear of wReckage and recklessness? Yes.

 

 


This piece came to fruition as the world had the opportunity to hear President Trump and Kim Jong-Un go back and forth in the summer of 2017.